Charmer – a poem

A gouty lady came to sit,
And eat her sandwiches by me,
With a ministering husband on the go,
Then, she, casting a glance aside,
At me, then tried
To vie for my sympathy.

Did she guess from my eyes that I disapproved?
Did she know, as she looked, that I felt for him?
Did she fathom that I like the underdog?

To settle this simple score,
Her glance became a smile,
Instantly bewitched, I submit, as he,
Then she, she reading her tea cup leaves,
Told each a fortune,
And mine, that I shall also rule.

© Copyright, September, 2013, Jane Stansfeld

Bridging – a poem

Unfocused far bank,
Over mist laden water
Connected by shadow bridge.
Blurred lights reflected,
Its sweeping arch
Mingled in the waters
Forming a dark circle.

Two lonely people,
Faces mist bathed,
Eyes feasting on atmosphere.
Their warmth radiating,
Bridging an untouched gap.
Momentarily two are linked
In the night air.

Floating over still waters,
The crescent moon peers out
To an impressionist image
Of a bridge circle.
To transitory bonding
Of two wispy forms
Beside the misty waters.

© Copyright, Jane Stansfeld, August 2013

Your God – a poem

Man speaks of Yoga,
Yoke between mind and body.
Inexplicable experience,
Consciousness of beyond.
And someone asks:
“Do you believe in God?”
Asking, repeating his question.
The man explains
His God no dogma,
His beyond spiritual.
But still the questioner persists,
A mind, unable to accept
The powerful message at his feet.
And so they part, each his way.
One humble, a mystic unity within his grasp,
The other arrogant and only a word,
God; as his explanation of beyond.

© Copyright, Jane Stansfeld, August 2013

Tin Whistle – a poem

A toy tin whistle there,
Useless, lies untouched,
Six holes in a metal tube,
Until, a magician came.
Strong arms, bearded face,
Dancing eyes, bewitching hands,
Jumping to those hands the whistle lives,
Singing, moaning, making music,
Grabbing beauty from the air.

Awakened, the house responds,
Commanding notes seeking everywhere.
We approach, as to the Pied Piper,
Mesmerized by the mournful sound,
Sitting spellbound as the whistle sings.
A group of people, suddenly as one,
Held by elfin whistle in musician’s hand,
To listen, and to hear that pipe,
Speak as two remaining one.

Then, putting down the pipe, he goes,
Leaving a hint of mystic in his wake,
A discarded pipe, trying hard to sing,
Weakly reforming notes into a theme,
But, bereft of power reverting to silence,
Music lingering on bewitches the building,
Scrapes captured notes from our minds,
To burst in the hall, vaporize and die
Leaving us a toy tin whistle and a memory.

Nursery Evening Yoga – a poem

Crouching, children’s chairs,

Bottoms spreading through, around,

Incense in a kindergarten hall,

Dreams of yoga draws them together,

Their backs distorted, lengthened by tiny chairs,

Their feet press hard on ground, discomfort.

A master came to talk, foreign among followers,

Yoga the yoke to link together,

Soon he sits above, serene in harmony,

Talking of the union of mind and body,

And they sit, still upon their chairs,

Grotesquely disproportioned in discomfort,

Overcome, excited by his message,

And captured  by his acrobatics,

They, leaving, stretch their legs,

And talk,, without comprehension, of his message.

© copyright Jane Stansfeld 2013

Justice – a prose / poem

A few days ago there was a report in the Austin Chronicle about a woman who had died in a nursing home due to an embolism caused by enforced inertia. She had been in restraints for at least 48 hours. At first, when I read this I thought, “Ah ha, if it had been me I would have done whatever they wanted to escape the restraints.” Then I read on, the nursing staff reported that they had her in restraints because she kept pulling out her feeding tube. “Hmm,” I thought, “I would have done the same thing!” The good news is that the home is now forbidden to use feeding tubes, and, I hope, unnecessary restraints.

I have an ongoing horror at what ordinary people can do to each other under the guise of authority. I suggest that this is possible when individuals become part of a crowd and lose their uniqueness and essence to become repetitive cogs in an impersonal system.

The Chronicle narrative threw me back forty years to the UK in the early 1970s and a newspaper report in which the reporter told a story of a woman who had been in a mental asylum for fifty years. She had been committed because she was having a baby out of wedlock. In the report the authorities were attempting to put her back into society; but, after fifty years in an institution, she couldn’t cope. At the time I was so appalled by this story of a person who was denied her individuality and life by the “kindness” of a state institution that I wrote the following narrative prose / poem. I post it in the hope that it has relevance today.

Nineteen years-old, youthful, free,
A crystal drop in the midst of her family,
She lived, happy and content,
Among her many siblings.
Daily she tramped to work on a factory floor,
One in a milling multitude.
No-one knew her as she was,
No, not even her mother,
Who, working with her rough hands,
Hardly stopped to see her womanhood.
So, her individuality remained lost in the crowd.
Until, one day, he came. Just a simple man,
But, he saw her young breasts pressing against her linen,
Saw her long thin legs moving free under her skirts,
And, seeing these, he stepped closer to find her.
Eclipsing her world and transforming the many to two,
And love, coming fast, swept them both away,
Whirling them in a frenzy of emotion,
To loose, even themselves, in each other.
Two people closely united to create a third.
And, by that third she lost her happiness and freedom.
She wandered, homeless, rejected,
Wishing to be befriended by death,
She was only assisted by the State.
So, cruelly delivered of her child,
She was certified insane to be locked away.
Years passed by stealing her ardor and her youth,
They left a shell to be found fifty years later.
Not a romantic sleeping beauty,
She is now old, hardly alive,
Wishing to finish her sentence,
And, like a zombie, die depraved of life.
For her body is exhausted,
And inactivity has dulled her mind to emptiness.

Copyright © Jane Stansfeld, June 2013

Hippo – a poem

This is my first attempt at a Shakespearian sonnet with its iambic pentameters. I found the rhyming scheme and the rhythm difficult as I seem to think in rhyming couplets and had to shake off this habit. I hope that you endorse the love theme as appropriate for a sonnet although I couldn’t go too cerebral.

Oh, when did my sweet love of thee begin?
Hippo dear, was it thy tiny eye and ear?
Surely it wasn’t thy wrinkled tough skin
Or the plunge thou takes when I draw near.
Is it envy of thy water-hole day?
Or ev’ntide, when I see thee lumber on shore,
Carefree, no enemies upon thee to prey
Then thou eats ‘til thou can eat no more
Oft times thy mouth gapes open at me
No loving kiss but yellow teeth inside
Then thy roar matches in ferocity
And I know that ‘tis best I go and hide.
Come now, why is my love not returned,
Even when methinks that it is earned?

Copyright © 6/6/2013 Jane Stansfeld

The voyage – a poem

Strange, incomprehensible, relative, time,
Seems, as the sea, eternal.
Bringing together twofold impressions
Without proof of being.

Unseen image of a land,
Soon to become a reality.
And then the hiatus
The linking span is gone.

Of our voyage, we have no proof,
Dare our scattered senses lie?
With a tangible end,
Was the means an illusion?

It was a drop of eternity,
A ripple taken from Time’s flood,
Swelling, to shrink, unrecognizable,
Into oblivion.

© 6/5/13 Jane Stansfeld

The Bystander -a poem

Leave him alone,
Do not touch or comfort him,
For he is a vacuum, devoid,
His loss sucked the spice from his life,
Releasing a torrent of feeling from his empty shell.
He does not weep, there are no tears.
He is neither hot nor cold.
He does not talk, he cannot hear you.
His eyes stare, he does not see.
He needs no sleep, no food, there is nothing to nourish.

In time he will have to sleep and eat,
Twofold cures, for they will open
The chasms of his being,
Teaching him emotions like a small child.
Then, he will cry and weep in his anguish,
Closing the void, that he can laugh and live.
But now, leave him alone,
Do not touch or comfort him,
For today, his loss is his companion
And his body a bystander.